--"It's a tightrope to stay
true to the character, true to the irony,
and allow the irony to happen"
Ben Kingsley--
Submissions are a good thing
Parov Stelar
418 Victims to Date
The Hope
The jet black cloud that hangs over the village is a malevolent pillow held by arms of awesome power ready to press down and strangle us. Serves us right we have been smug thinking we had the keys to peace, shaking our heads lecturing others how to, and then it all collapses. Our democratic system that makes it possible for the rich to steal from the poor, or our system of law, where justice is given to those who can afford it. It is no longer safe to live here, but how to leave? Car-lights cannot penetrate through the miasma of night on a road that has lost its purpose and ends in a vale of nihilistic laughter where the victims are told to live in peace with their tormentors. Yet there is a beacon of light a still flame of hope, the heart of humanity is not yet defeated.
--"Love is the triumph of imagination over intelligence" Henry Louis Mencken--
N.O.H.A.
Calling for More Submissions
406 Victims to Date
August Heat
Women have divorced their bras, men melted into their boots. A sparrow gasps for air in a stairwell, grounded by heat and grime.
An overheated motorcycle holds its breath for a man who catches the bird, sets it in the shade of a city garden, bursting with sunflowers.
Believing we will survive, I promise myself a sleigh ride choreographed by Mozart. First I lead a horse from the white pasture, pry ice from his hooves, bind him to the sleigh. The harness is stiff with cold.
Blinkers on, he sighs, lowers his head to the bit, his only view what lies ahead. My voice is the cool weight he draws over the ice pack. Music glitters in the frozen trees.
Karen Douglass
wild horses
my emotions run wild like mustangs lately little colts easily startled they bolt across the meadow manes trailing in the wind tails whipping from side to side they snort majestically my creatures of conscience and consequence and the ground grumbles beneath me
--" The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanely sensitive. To them... a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create -- so that without the creating of music or poetry or books or buildings or something of meaning, their very breath is cut off...They must create, must pour out creation. By some strange, unknown, inward urgency they are not really alive unless they are creating." Pearl Buck--
--"Words that don't kill you make you stronger" GhadaKanafani--
--"The problem with joy is that, by contrast,it exposes how unhappy you really are" me--
CreedenceClearwater Revival
Calling for Submissions
391 Victims to Date
don't bang your head on the stars!
burn, like faggot fertile, like river banks over flowed drunk, like butterfly at fermented fig fertile, like soil topped with ash loaded, like freight train shot, like russian roulette loser urgent, like orgasm shot, like broken arch wound, like god's eye jarred, like peaches stiff, like over jarred, like every soldier high, like wow cruel, like hope sure, like now cruel, like malignant wet, like inside dharma, like burn it known, like biblically dharma, like virtue clean, like fashion fire, like sun god nipple, like yum fire, like heart golden, like dusk seen, like ant farm fleeting, like virgin seen, like vision smart, like silence.
amykohut
i dont want goodbyes anymore
i learned to say goodbye so easy from traveling all my life from always packing my baggage at night packing boxes looking at maps pitching my tent of a life near water just a leaf kissed by whatever wind does prevail across the planet i have reached through the canopy of trees peered over mountains and dived underwater swimming through curiously allowing goodbyes to stack up in my closet little boxes of shoes never worn ever again
The enemies of our leaders are poets; not good men necessarily, not at all, but neither are they men who fire hell-fire missiles into mud-bricked homes in the desert nor who burn the jungles of the tropics to eradicate the plants of dreams and nightmares; not good men at all, and as much tyrants as any man who has a god in his pocket.
The enemies of our leaders are poets. Where men get up in the morning to work and build words into dreams that give hope and cut the flesh from their own hands furrowing the earth until it bears seeds until their screams divert resources to the people among whom they live they find the support of communication and of people is much bigger than shock and awe.
The enemies of our leaders are poets who listen to winds at night as they walk dark alleys, who stop at lonely diners for a cup of coffee before jotting down a few notes and going off into the shuffle of their own tired footsteps; who come together again in the workplace speaking in tongues marketers do not understand, and seducing women with eyes that do not waver.
The leaders cannot lead without the words a culture creates within itself, within its needs, poets.
(from ... The Graves Grow Bigger Between Generations/ published by Higganum Hill Books)
Jared Smith
To be a Poet for Sandra
To be a poet, I suppose one must remain true to the love of small things and never forget the sound of the calling itself, restless, like a cloud caught in the soft peeling rhythmic bells of hell stealing by.
I myself try to tell an honest tale of the frailties in my life, glad for an acre of sadness to tempt my taste for another mile. And while the tale might be wasted on the likes of two or three, I listen for a smile from the crowd or a cheer, maybe even rely on a tear to tell me of truth among the lies I hear.
(previously published in Hammers and The Poetry Victims)
--"I am suing the tobacco companies, for years they have been saying they're going to
kill me and it hasn't happened yet" Kurt Vonnegut--
D.J. Monkey
Issue on the sly
In memory of Paul Newman
and Mahmoud Darwich
369 Victims to Date
DYING TO LIVE IN 90 SECONDS May 31, 2005
She said, "When I fly in airplanes I practice dying. If a plane falls from that far up no one's gonna live. I figure there's about 90 seconds when everyone in the plane knows they're gonna die. So I practice being friends with myself in 90-second bursts."
"I fly alot," I tell her, "10 days a month sometimes."
--"You don't need anybody to tell you who
you are or what you are. You are what you are!"
John Lennon--
Michael Franti
and Spearhead
Poem for Charles Bernstein
Charles Bernstein understands the human heart
I wish Charles Bernstein ruled the world
Because of Charles Bernstein, I stay off the wrong side
of the tracks
Charles Bernstein reminds me of Benny Hill
I touch the whiskers on Charles Bernstein's cat
Charles Bernstein says I could sleep in the basement
I dream I could be a great teacher like none other than
Charles Bernstein
I cry because Charles Bernstein cries, too
I touch myself when thinking of Charles Bernstein
wandering around inside me
I hear Charles Bernstein's motor bike rumbling down Martin Luther King Boulevard
I hear Charles Bernstein reading poetry at some crummy
dive on the lower east side
Charles Bernstein is surrounded by flowers
I touch my lips when I see Charles Bernstein on stage
I taste the medicine Charles Bernstein gives me for my
bronchitis
I imagine Charles Bernstein writing in my dreams
I am the man of the house when Charles Bernstein is
gone
Charles Bernstein brainwashed me into believing that
I'm a platypus
I smell Charles Bernstein's freshly baked cherry pies
I wish Charles Bernstein would stop cheating off my
math test
My mother is having Charles Bernstein over for dinner
I say that Charles Bernstein can read my thoughts
Without Charles Bernstein, things are sour and bitter
I hear Charles Bernstein still and silent
Wish I could speak a little more like Charles Bernstein
I see and remember Charles Bernstein
I know I am the illegitimate son of Charles Bernstein
Because of Charles Bernstein, I am a potter
I imagine Charles Bernstein standing on snow-capped
mountains
I don't want to think about what my life would be like
without Charles Bernstein
You say you never stopped loving me, I say there is
someone else, and his name is Charles Bernstein
I don't love you the same way I love Charles Bernstein
Why do I wonder so about Charles Bernstein
I feel this wall separating me and Charles Bernstein
I try to overcome my fear of loneliness, but without
The almighty words of Charles Bernstein, it's near
Impossible I enjoy small talk and big lies shared by
Charles Bernstein
Don't you love this mink coat Charles Bernstein
bought me
I wish I was a Buffalo, New Yorker like Charles
Bernstein
I say things no one else understands except
Charles Bernstein
Imagine Charles Bernstein wearing a pink
bunny suit
I hope Charles Bernstein will come to my house
and play Yahtzee with me
I see Charles Bernstein in the fog of Manhattan
I wonder if Charles Bernstein knows if I will ever
get married
I see Charles Bernstein looking back at me in
the mirror
Charles Bernstein invited me to stay the week at
his condo in Aspen
Shane Allison
because
i am a man of the world
i am hip to buying the essentials on occasion
i glide up and down the spacious aisles
i pause before a trillion trillion rolls of toilet paper
i must figure the cost now you see
i know this because
i am thrice divorced and
i can cough up a thrifty budget if
i have to
so i crunch the numbers
469 one ply sheets on each roll for 3.59
these ones are obviously the septic safe mega rolls
--“Some people never go crazy, What truly horrible lives they must live” Charles Bukowski--
Mummer
349 Victims to Date
MySpace Poetry
Bukowski's ghost is bothering me again. He always comes when I am loneliest. He always comes when I want him least. I told a friend, on the phone, that my form was inadequate to my sentiments. Bukowski has come to laugh at me. He has come to ask me if I think margins contain profundity. He wants to know how I found a poetry more useless than words. I hand him a stack of the poems of troglodytes. I ask him to find the profundity in his imitators, the cottage-factories of rebellion, the MFAs of whore mongering, aging illiterates throwing their panties at him. I tell him that it's easy to make love to a corpse. He tells me that for a corpse, lovemaking is irrelevant. I ask him if he thinks that makes him special. He does not look at my painting of Strachey, he does not look at my poster of Duras. The dead have no need to laugh, but the living have a need to be laughed at, and Bukowski's ghost is here to help. He says when I say that I am bleeding I must know that he is the blood when I say that the world tastes like ashes I must know that he is my tongue I suggest he avoid attempting metaphor. He tells me that the sky is turning red.
Jonathan Penton
Who let Bukowski in?
Now the bastard won’t leave. He sits at the kitchen table in my mind like a sous chef swilling the cooking wine, He is cleaning his nails with a fork
--"Poetry heals the wounds inflicted by reason" Novalis--
K-OS
321 Victims to Date
Mingus a Mongus
Music spins faster than my head. A rift of bebop Spanish caravan danc’n in the streets to the Afra-Rican inspired Beat. A voice breaks celebrating the goddess of Green suffocation. Keyboard plays a flat tone death to invisible asphyxiation. Turns the need of Green to Blue. Ah this lady does not sing the blues. Unnecessary, what is needed comes to me through the staccato of life. The horn flutters amidst the scattered drum beats and bass strings me along in an all consuming stomp. Happy floats across the room.Flute thrills like spring birds after the rain that brought the worm out upon the sidewalk. Birds yell at me with awks when I disturb their feast. I say excuse me bro Byrd, I did not mean to interrupt your fine repast. The worm wiggled gratefully into the turf. Smooth moves, anxiety on the side high point blowing that horn. Float away on a cascade of emotion. Niagra clashes, Roller coaster dips, white water rafting over the notes in the shallows. Dragonflies hover serene as they inch forward quietly. Camouflaged army crawls—soon to become Vermillion. Sounds clash discord. Unidentifiable body Floats in strange waters—a mother’s loss. She sits a matriarch. Elegant and angry at what she can’t change. The music screams her pain. Spanish Madonna crucifies me alive with her eyes. I offer only love. Distant as Death, my other chile, burnt offerings. Sidewalk worms smashed. NO starlings’ thrills. Hollow wood spell hypnotized. Waterfall drop, the barrel opens. Not a root beer float. Champagne Bubbles of air bounce to the swing of Lawrence Welk’s wand. Tiny Bubbles Bursting under pressure. Heart expands beyond capacity overload. Did you hear the bullet’s whiz before it struck the wall inches away, my manager asked? The bass strings twang while she watches the disposal process, where I took one bullet at a time, dropping them in between the gutter’s grates. Another twang. The hate gun powder packed. No one in the city should own a gun. No the children don’t know. English stiff upper lip is much like Mexican Madonna, separated by velvet ropes. How do I get to the other side? But the grass is brown from lack of rain. No, covered with cicadas. The Birds sing the song of joy, an ocean of sound intoxifies and like a red and white bobber attached to the fishing line, the worm a lure strung on the hook. I break the water, gasp air. Grasp its all clear. The struggle is just an exercise. Sometimes you just want to lay back, move with the groove, swim the lazy river, then but then, you want to take the deck of cards and toss‘m in the air like confetti. Watching the hearts spin, the diamonds dance, the spades dig the groove sound, the aces hit a home run. And it’s all over. You are out. Not much different then the worm smashed on the side walk. Don’t worry your cicadic cycle will return to feed the Birds until ya find ya way.
Donna Pecore
per-spec-tive
caught in a dali moment just outside of wichita just after dark in kansas a ballerina of the cornfield not far up ahead the hot red hail of tail lights just up ahead a white tail deer pirouettes in a puff of steam just like this as the hot blood trips the frigid air in my headlights a strangely beautiful arc of crimson red
(previously published in il-lit-er-ate magazine, Blinkzine Arts Magazine, The Argonaut's Boat, The Poetry Victims and Sketchbook)
--"If you care about something you have to protect it- if you're lucky enough to find a way of life you love, you have to find the courage to live it." John Irving (A Prayer for Owen Meany)--
The Kills
278 Victims to Date
Moon Ode (for Congressman Sam Farr)
Shall I trust the moon?
She flirts behind purple clouds
Veiling her luminous face
Like a naughty trickster
In a bad moon-mood.
Betrayed,
I want to tell her to
"Take a leap,"
And she does
Over the next cloudy fence
Until finally,
Reminded of her manners,
Floats across my view
With a graceful smile
And offers her
Apology.
Melanie Simms
watching clouds in oklahoma
there is a blazing white dragon floating over there in the sunlight it expands like a balloon filling up slowly as i watch and there is a herd of black horses thundering rumbling directly overhead as if this sky is just an endless prairie to be trampled by hooves in a fit of skittish frenzy i see the glory of wet orange sunset splashing through a hole in the sky tonight trees thrash around like lightning electric brew in an iron cauldron these clouds dont know where theyre going trapped indecisively headed north south east west a double exposure across the sky i wait for the sizzle of rain to fall it is tornado season in oklahoma
(Previously published in Poetry and The Argonaut's Boat)
--"I could say things with colors and shapes that I had no words for." Georgia O'Keefe--
Atomic Hooligan
278 Victims to date
agon “ . . . where can I escape, flying to the bright air or sea?
Orestes
this was the long turn the long road the black road turning into the black wood the pine wood pokeweed black as the black water as the black water weeds in the swollen river the thick serried water— this was the long turn this was the way it had to begin . . .
this was the long turn falling like the last thought turning deep into the long night the black cold turning into itself into its thick black center the lurid air dank and festering its black smell smeared in the black night congealed in the black wood clotted like the black water weeds in the swollen river turning in the bright wounded air
turning the way the earth turned deep in the long night turning in the black wood silent in the deep night turning like the festering river turning in its lurid center turning turning in the torn and swollen air— the bright bloody air turning to itself weeping like the sea
Christopher Kuhl
Up on WolvertonMountain
The glue that holds our mountain together Is not the RockyMountain breeze Gripping our lungs like talons, Or the sharp scent of love for the land Blowing across our faces a quick As the tree reaching for this peak, Or even the little crystal creek streaming Like a ball of string tossed to the wind.
The clue is thunder down in the meadow, The soft gleaming luster of smooth coats Glowing from oats mixed with molasses. It’s because of them... The Arabian fillies and the colts, The stallions snorting at mares in the barn As if to beg them not to forget. It’s for the horses, as swift as pain, That Wolverton stands granite strong.
nothing lies like scars they do not cover the reality of You in peace or the rush of panic the imagined pain cannot distract or smooth the moment You and each can see the truth of the past We have not yet reclaimed
Edward Wells II
i believe
in love at first sight in the power of words in the differences in our sexes in passion in pain in no in yes in hope in perhaps in whatever is left
"How do you perceive fire? Not just one specific moment of the flame dance, but rather flame dance in continuum... The dancer turned time and again, she moved around, she lifted her arms, and put them down, she stamped her feet, she clapped her hands, she tossed her skirt... yet my perception of her did not change with every new move. My perception stood still: one continuous motion of body, fabric, expressive emotion, grace..."Anna Maly
--“Stay firmly in your own path and dare. Be wild two hours a day.” Paul Gauguin--
Some wines taste like regret, and some foods go well toward washing regrets away. A white wine for example goes with fish. Perhaps the worker who pressed the grape came back from a war that was not his own makes the wrong declaration to the wrong fading love but came to work the next day with clean feet and a sturdy smile and his bittersweet regret courses through him gets caught at the right high moment before forgetting sets in It would be like a Pisces the sin-absorbers the carriers and relievers of burdens at the human party with spots on their ties or dresses to hold out their arms to toast our many loving and warring sins while lamenting our losses and, by laughing, castingthe spirits out of our bodies and lungs breathing them back to the air dispersing them to the far-flung wind back to the turning soil breathing them deeply far from our bodies now and into their own.
Michael Pacholski
Dancers
So my father placed third in the ballroom dancing world championships nineteen fifty something the man was smooth he simply took command of the floor like a master made it his own as a child I remember dancers stepping off the floor to watch their eyes glazed over with some certain satisfaction at falling witness to this magic as for me the waltz is a waltz is a pleasure to share and I do favor a good two step fox trot and swing but with my rock and roll heart I want mostly to rip it up work up a sweat burn off the ‘ol dancing shoes but good somewhere in between up close I mean touching feeling the beat together I’ve decided is the place to be.
(Previously published in Unlikely 2.0, The Argonaut's Boat and Sketchbook)
Strained back of Buddha in rock faced caves Painful knowledge of obscurity Gods rejoice in heavens Hemlock served with divine wine And poisoned bread for last supper People don’t die they become monuments Fluttering bits of time Flying freely across solemn looking hills Loneliness is sacred truthfulness Of pensive looking Buddha in painted Rock caves
Ramdas Pawar
The Tibetan Book for Mike
In Tibet in a book it is written in part after centuries of silent observation lifetimes given over to prayer and contemplation of spiritual necessity upon reflection on the mysteries of life The journey of death itself is just that
A mysterious journey of epic proportions the true accomplishments of life fulfilled the final reward for a lifetime of toil and those of us left behind must learn to accept our loss by accepting their gain In Tibet in a book in part it is written
-- "To live a creative life, we must lose our fear of being wrong" Joseph Chilton Pearce--
Basement Jaxx
Considering the Case of the Intellectual Academic Bards
The words they use are beautiful luminous and luxuriant They become an ocherous affliction, coalesce into infinity. Curl around the tongue, they pour out, a fast flood of flooy
More irrelevant the work, deeper the critic dives into the empty swimming pool of words, finding meaning in this vast emptiness. Exuding guilt too; cookie cutter
a holy war. Ideas accessible, but not forgettable, the need to be memorable, to give the reader a reason to reassess. Thought turns one to find that word, that perfect word
to hook a mind. The word: a piece of bait on tensile line. Post modernism’s view; there are no new, just words askew.
Donna Pecore
come together
come share the dream everybody turn on turns out peace and brotherhood bring us goo goo eyed to the trap we are dazed sheep standing at the juke box we dont know we are at war with somebody we dont know we are at war with ourselves sticking it to the little people sticking it to the man sort of like falling within love without love all over again
--"We are the people our parents warned us about" Jimmy Buffett--
Fat Boy Slim
OF THE PEOPLE
for Elihu Burritt, the Learned Blacksmith
Never indolent – no, you’re suffering from headache again. It used to be, your antidote for too-long studying the state of the world would be extra hours hammering thought into metal, forging the pain from synapse into ligament.
But now you’re committed to a Message whose demands dig deeper than any chisel. Not ambition, exactly; the heart’s desire to see Right done. Call it Conscience. It’s a nag, it’s your way of life, now.
You keep to your bed on bad days, when the Cause seems hopeless; waiting out the headache till it’s time to walk to the halls of Power and talk Humanity to some politician anointed by public vote,
chosen by the same plain people of heart and hard-worked sinews – the ones you’ve always trusted to find the just path, no matter how many decades of elections it might take.
Taylor Graham
Of poems and people
Never satisfied The whiners Always primping Looking in mirrors Screaming for attention Always wanting To re-invent themselves Rise out of the ashes Presto You know Go phoenix
(Previously published on Poetry Super Highway and Sketchbook)